Live-Event Distribution
The world is watching.
Own the broadcast.
Your audience. Your broadcast. Our infrastructure.
Run of Show
Four things every other platform asks you to figure out alone.
Klix is not a self-serve tool. We are a fully-operated distribution partner. Here is what that means in practice.
Global Distribution
Pay-Per-View on cable. On satellite. On streaming. Direct.
We hold the operator relationships ourselves. The same channels that carry championship boxing carry your event — placed by our broadcast team, mastered for broadcast, delivered to every screen on the night.
No middleman. No license-juggling. No separate broadcast deal.
Tier-1 US cable + satellite carrier coverage · 90M+ households on the night
Tickets
The ticket is a contract, not a barcode.
Other platforms watch the gate. We hold the lease on it. When the fan walks in, the scanner has already decided — without a server call — whether the wallet is good.
- I.
The ticket is yours when you sell it.
Custody is clear from the minute of sale. The promoter’s balance settles to their account at the moment the fan checks out — no float, no clearing window, no hold by us.
- II.
Resale that doesn’t bleed the gate.
When a ticket changes hands, the fee flows back to the room that built the audience. The aftermarket is sanctioned, scoped, and accountable — not a scalper economy with a different name.
- III.
Doors that recompute.
Sold-out is a moving target. The moment a hold lapses or a release returns, the door reopens — without a refresh, without a refund queue, without a press release.
- IV.
Identity at the gate, not at the form.
A rotating credential on the wallet, an offline scanner at the door. The gate works when the venue signal doesn’t. The line never stalls because a server stopped answering.
The Player
When the bell rings, the merch drops.
The frame is the store. The broadcast is the cart. The viewer never leaves the show to buy the show, because the show and the buy live in the same surface.
- I.
One pane of glass.
The show, the merch drop, the upsell, the replay — every fan-facing surface lives in the same frame. The viewer never leaves to buy. The buy never leaves the broadcast.
- II.
Commerce inside the frame.
Collectible drops, photo bundles, tips, upgrades, encore unlocks — all transacted without a redirect. Carts close in the same second the audience says yes.
- III.
Cues that hit on the beat.
The producer triggers the drop. The merch goes live. The headliner walks out and the photo bundle opens. The audience reacts to the broadcast, not to the cart.
- IV.
Replay on gap.
A flaky reconnect doesn’t cost a fan the drop. Every viewer recovers the cues they missed — the offer reopens for the gap it was lost in, then closes again.
What We Built
Six quiet advantages.
We built the things the show needs before the show needs them. None of it is on the marquee. All of it is in the room.
- I.
Every stream carries a signature.
Each viewer’s feed is privately tagged at delivery. When a clip surfaces in the wrong room, we name the source.
- II.
Doors that never close.
Pricing, capacity, and inventory recompute after every clear. Sell-outs become re-openings without a refresh.
- III.
Scanners that work when the venue WiFi doesn’t.
Entry validation runs offline at the gate and reconciles when the line moves. The door never stalls because the signal did.
- IV.
A planning room that doesn’t sleep.
A quiet partner sits with the promoter through routing, pricing, and run-of-show — and gets out of the way when the lights come up.
- V.
After the lights, the night keeps earning.
The broadcast survives the show. Replays, clips, and chapters are cut, captioned, and ready to publish before the room empties.
- VI.
The promoter sold the ticket. The room keeps the margin.
A franchise economy under one accountable platform — the people who built the audience share in what the audience pays.
What We Lock Down
The room is locked before the lights go up.
The things that keep your broadcast yours — and your payouts legal — are not afterthoughts. They are the first lines we wrote.
- I.
Every stream carries a signature.
A per-viewer mark is woven into the broadcast itself — invisible in the frame, decoded on demand. When a clip surfaces in the wrong room, the source is named in hours, not weeks.
- II.
Identity verified before payouts.
No promoter receives a payout before their identity is verified, their sanctions screen is clean, and their tax forms are on file. The thing that keeps your money legal is the thing we do first.
- III.
Trust boundary, not trust-me.
Every door — every connection, every endpoint — asks for authority before it answers. The boundary is checked by a rule that blocks a release if it’s ever skipped.
- IV.
Rights cleared, not assumed.
Likeness, logo, and song-clearance moderation runs before the cue goes live. Takedown intake is a phone number and an inbox, both monitored, both answering inside the same business day.
When Everyone Shows Up
The ninety-thousandth seat sells like the first one did.
Other platforms test peak load by hoping. We test it on the way to the test. The on-sale ends with no outages, no surprise refunds, and no apology the next morning.
- I.
Capacity is a decision, not a discovery.
We provision the room before the doors open, not after the queue overflows. The on-sale is sized to the demand the promoter expects — plus margin we don’t talk about.
- II.
No outages on the on-sale.
The checkout queue is a real queue — ordered, hold-spotted, deterministic. Fans see their place in line and an honest wait. Nothing spins forever. Nothing returns an error page.
- III.
Bots don’t get to be customers.
Behavioural and forensic filtering at the door, before checkout opens. Your inventory is for fans. Scripts get the rejection screen.
- IV.
When the room is full, the door is honest.
Sold-out is a state, not a five-hundred. The page tells the fan what happened, what to do next, and when the waitlist might move — without an apology blog post afterward.
- V.
Reconnect storms don’t take us down.
When a hundred thousand viewers reconnect inside the same second, the broadcast absorbs them. The handshake is rate-shaped at the edge so the origin never hears the thunder.
How the Money Moves
Four parties. Four sealed envelopes. One ledger.
The organizer keeps the margin. The promoter keeps the sale. The fan keeps the night. We keep the infrastructure. Every line is readable from any seat in the room.
- I.
Three contracts, one settlement.
Organizer, promoter, Klix — every relationship is written down, every share is surfaced on the dashboard, every adjustment is audit-logged. No clause titled "platform discretion".
- II.
The promoter is paid in real time.
When the promoter sells a ticket, the funds route to the promoter’s account at the moment of sale. We do not hold the promoter’s money. We do not float it. There is no payout schedule because there is no payout — only a settlement that already happened.
- III.
Affiliates see their ledger every minute.
Every click, every conversion, every credit — visible to the partner inside sixty seconds of the sale, with the source link, the click trail, the conversion timestamp, and the settled amount. Receipts on demand. No black-box attribution.
- IV.
Compute is compute. Cash is cash.
Promoters earn compute credits for verified posts, referrals, and sales. They spend those credits on boosts, drafts, and outreach. Compute credits never become cash and cash never becomes compute. Two ledgers. Both auditable. Neither blurred.
- V.
No surprise lines.
Every line item is on the contract before the event goes on sale. Fees are named, shares are named, refunds are named. The settlement statement at the end is a confirmation, not a reveal.
Built For
We partner selectively.
The infrastructure we run is built for events where every minute of show time matters — and the audience extends far beyond the room.
- I.
Championship Combat Sports
Reach 90M+ households on cable Pay-Per-View the same night you fight.
- II.
Stadium Tours & Headliners
Sell the room, syndicate the night. Broadcast revenue from cities you’ll never visit.
- III.
Premium Festivals
Global Pay-Per-View placement and same-day short-form across every stage.
- IV.
Wrestling & Grappling
Carrier-grade distribution, ring-side production, signal integrity from bell to bell.
- V.
Esports Finals
Broadcast-grade production with the velocity your audience already expects.
- VI.
Cultural & Private
Editorial production for fashion, culinary, and luxury showcases — distributed precisely.
Who We Partner With
Three rooms. One ledger. The same answer.
Promoter, affiliate, venue — each one gets a seat at the same ledger. The contract is the contract. The numbers are the numbers.
- I.
Promoters.
You sold the ticket. We made sure it stayed sold. Real-time dashboard, instant payouts to your own account, audit-logged commission ledger, one-tap publish across Instagram, Facebook, X, TikTok, and LinkedIn, branded discount-link URL, and a fan list scoped by consent — surfaced to you, never sold around you.
- II.
Affiliates & referral partners.
Every click. Every conversion. Every credit. Visible inside sixty seconds of the sale, in your own dashboard, with the source URL and the settlement timestamp. Receipts on demand. No discretionary holdback. No black-box attribution.
- III.
Venue & production partners.
Your stack, our stack, one wallet. Offline scanner sync that survives a venue signal outage. Production partners receive raw broadcast samples and signal-integrity logs on a shared NDA — the same record we use to settle, surfaced to you the next morning.
Behind the Show
The work, the relationships, the references.
Klix is operated by a team that has placed Pay-Per-View events on tier-1 US cable and satellite carriers, and is in active partnership conversations across boxing, wrestling, and stadium touring.
A private operations reel — including delivered broadcast samples, settlement reports, and signal-integrity outputs — is available on mutual NDA.
Revenue-share partnerships at headline-event scale. No platform fees. No take of your sponsorship.
The Standard
Software platforms hand you tools. Klix runs the distribution. Cable Pay-Per-View, satellite, streaming, broadcast production, rights protection, and settlement.
One accountable partner. Your audience, your data, your name — alone on the marquee.
By invitation only · Mutual NDA before walkthrough
We partner with fewer than 1% of the events that approach us.
If your scale demands our infrastructure, initiate the protocol. A partnerships lead will be in touch within one business day.